An Arabic scale (maqam, plural maqamat) is a series of usually seven notes with its own intervals, sometimes including quarter tones. The easiest way to start learning Arabic scales on guitar is with Hijaz (on D: D, Eb, F#, G, A, Bb, C) and Kurd: they fit right onto the frets. You can approach the quarter tones of Rast and Bayati afterward with small bends and slides.
Below you will find the most important maqamat with their notes, a first exercise and techniques for getting the typical Arabic sound. Hijaz is also a common scale in Greek rebetiko; see playing bouzouki style on guitar.
What Are Arabic Scales (Maqamat)?
Arabic scales, also known as maqamat, form the basis of traditional Arabic music. These scales are not just a collection of notes, but a system that shapes the emotional and cultural expression of the music. Like Western scales, most maqamat have seven notes, but many of them also use quarter tones.
This means that between the standard notes of Western music there are extra pitches, which gives the music a richer and more complex sound. Understanding these scales is essential for anyone who wants to dig deeper into Arabic musical culture. The structure of Arabic scales is often based on a combination of whole steps, half steps and three-quarter steps, sometimes with an additional step of a step and a half, which leads to unique melodies and harmonies.
Every maqam has its own character and emotional weight, so musicians can convey different feelings and stories. That makes learning and mastering these scales not just a technical exercise, but also an artistic journey. For you as a guitarist, exploring these musical traditions can be an enriching experience that takes your playing to the next level. In Portuguese fado, too, the key sets the mood: it often sounds in a minor key with chords from the harmonic minor, as you can read in practicing Portuguese fado music on guitar.
Summary
- Many Arabic scales (maqamat) use quarter tones and have a unique interval structure
- To play Arabic scales on guitar, it is important to understand the basics of scales and the specific intervals
- Important Arabic scales to learn include Hijaz, Bayati and Rast
- Techniques for playing Arabic scales on guitar include sliding and bending notes
- To practice and improve with Arabic scales, it helps to work with a metronome and focus on smooth transitions between notes
The Basics of Arabic Scales on Guitar
When you start learning Arabic scales on guitar, it is important to understand the basics. One of the first things to know is that most Arabic scales use a different layout than Western scales. On a regular guitar the frets are a half step apart, so you cannot fret a quarter tone directly. You approach it with a small bend or slide, or you use a fretless guitar or a guitar with extra quarter-tone frets. In Arabic music itself, the oud, a lute without frets, is one of the most important instruments.
It is essential to get familiar with the specific intervals used in these scales, such as the quarter tones, which do not occur in Western music. It is also important to realize that every maqam has its own unique structure and rules. Some maqamat, for example, are better suited to certain emotions or themes than others.
This means you not only have to learn the notes, but also understand how to apply them in different musical contexts. By mastering these basics, you build a solid foundation for your further development as a guitarist in Arabic music.
Important Arabic Scales to Learn

There are several important Arabic scales you should learn as a guitarist. One of the most popular is maqam rast, which is often seen as the basis of many other maqamat. This scale has a cheerful and optimistic sound, so it is widely used in traditional and modern Arabic music.
Learning maqam rast can help you develop a feel for the structure and character of Arabic music. Another important scale is maqam hijaz, which is known for its dramatic and emotional sound. This maqam is often used in ballads and can have a powerful impact on your listeners.
By mastering this scale, you can explore different musical styles and emotions. There are also other interesting maqamat such as maqam bayati and maqam saba, each with its own unique characteristics and uses. Learning these different scales will expand your musical vocabulary and help you become a more versatile guitarist.
The Notes of Five Well-Known Maqamat
Below are commonly used maqamat with their notes. The symbol ↓ means a note that sounds a quarter tone lower. The first three fit on the guitar without quarter tones and are therefore a logical starting point. In practice, some notes vary, for example when the melody descends.
- Hijaz (on D): D, Eb, F#, G, A, Bb, C, D. Recognizable by the step of a step and a half between Eb and F#. Western guitarists know this series as Phrygian dominant, the fifth mode of G harmonic minor. You often hear a related sound in Spanish flamenco.
- Kurd (on D): D, Eb, F, G, A, Bb, C, D: the same notes as D Phrygian.
- Nahawand (on C): C, D, Eb, F, G, Ab, B, C, similar to C harmonic minor.
- Rast (on C): C, D, E↓, F, G, A, B↓, C.
- Bayati (on D): D, E↓, F, G, A, Bb, C, D.
First Exercise: Hijaz on D
Play Hijaz starting from the open D string. On the D string you play open, the 1st and the 4th fret (D, Eb, F#), on the G string open, the 2nd and the 3rd fret (G, A, Bb) and on the B string the 1st and the 3rd fret (C, D). Play the series slowly up and down with a metronome and let the open D string ring now and then as a bass note. That way you hear the typical Hijaz sound right away.
For Rast and Bayati, you play the E↓ by fretting Eb and bending it up a quarter tone. Compare that note with a regular E and Eb, so your ear gets used to the pitch in between.
Chart: The Five Maqamat on the Guitar Neck
With this chart you play every Arabic scale in this article in one position. The numbers are frets, 0 is the open string and ↑ means: fret this note and bend it up a quarter tone.
| Maqam | Notes | Frets per string |
|---|---|---|
| Hijaz on D | D, Eb, F#, G, A, Bb, C, D | D string 0-1-4, G string 0-2-3, B string 1-3 |
| Kurd on D | D, Eb, F, G, A, Bb, C, D | D string 0-1-3, G string 0-2-3, B string 1-3 |
| Bayati on D | D, E↓, F, G, A, Bb, C, D | D string 0-1↑-3, G string 0-2-3, B string 1-3 |
| Nahawand on C | C, D, Eb, F, G, Ab, B, C | A string 3-5, D string 1-3-5, G string 1-4-5 |
| Rast on C | C, D, E↓, F, G, A, B↓, C | A string 3-5, D string 1↑-3-5, G string 2-3↑-5 |
Hijaz, Kurd and Bayati share the upper four notes (G, A, Bb, C) and differ only in the second and third notes. So play them right after each other: that way you can clearly hear what a different interval does to the mood.
Techniques for Playing Arabic Scales on Guitar
Playing Arabic scales on guitar requires specific techniques that differ from the usual Western playing styles. An important technique is using slides and bends to approach the microtones. Instead of just playing the right notes, you have to learn how to glide between the notes to get the authentic sound of the maqamat.
This can be challenging at first, but with practice you will notice that you get better and better at creating those subtle nuances that are so characteristic of Arabic music. It is also important to pay attention to your fingering and picking technique. Fingerpicking can be especially effective when playing Arabic scales, because it gives you more control over the dynamics and expression of your playing.
Try different picking techniques, such as using a pick or playing with your fingers, to find out what works best for you and the specific maqamat you want to play. By combining these techniques, you can create an authentic sound that captures the essence of Arabic music. Also work on your vibrato: it gives long notes the singing expression that belongs with maqamat.
How to Practice and Improve with Arabic Scales
To practice and improve with Arabic scales effectively, it is important to take a structured approach. Start by choosing one or two maqamat to focus on. Take the time to study the notes and intervals thoroughly, so you can remember them well. You can read how to learn scales in a structured way in practicing scales for improvisation.
It can help to listen to audio recordings or videos of experienced musicians while you practice, so you get a better understanding of how these scales sound in practice. Another effective way to improve your skills is to do improvisation exercises regularly. Try playing freely within the chosen maqamat and experiment with different melodies and rhythms.
This will not only help you develop your technical skills, but also encourage your creativity. Don’t forget to be patient with yourself; mastering Arabic scales takes time and dedication, but with consistent practice you will certainly make progress.
Using Arabic Scales in Different Music Styles

Arabic scales are not limited to traditional music; they are also increasingly integrated into modern styles such as jazz, pop and fusion. Many contemporary artists experiment with combining Western and Arabic musical elements, which leads to unique and innovative sounds. By applying Arabic scales in your own music, you can create a fresh approach that is both recognizable and original. If you want to use such sounds in other genres, read how to learn improvising in different styles.
Arabic scales can also be used in film and theater music to convey specific emotions or atmospheres. Their rich tone color and expressive possibilities make them extremely well suited to creating dramatic effects. As a guitarist you can take advantage of this versatility by exploring different styles and genres in which Arabic scales play a role.
This will not only broaden your musical horizons, but also offer new opportunities for collaboration with other musicians.
Tips for Integrating Arabic Scales Into Your Guitar Playing
If you want to integrate Arabic scales into your guitar playing, a few practical tips can help you with the process. First, it is important to be open to experimentation. Try different combinations of maqamat and rhythms to find out what suits your style best. If you are also curious about other traditions with their own tonal system, take a look at these tips for Indian raga improvisation on guitar.
Don’t be afraid to step off the beaten path; sometimes the most beautiful ideas come from spontaneous improvisation. It can also help to work with other musicians who have experience with Arabic music. By playing together you can learn new techniques and get inspiration for your own playing.
This can also lead to interesting musical fusions that enrich both your style and that of others. Don’t forget that integrating Arabic scales into your playing is a process; give yourself time to grow and to express yourself through this beautiful musical tradition.
Why Understanding Arabic Scales Matters for Guitarists
Understanding Arabic scales is crucial for guitarists who want to dig deeper into this rich musical tradition. It not only offers insight into the structure and emotional impact of Arabic music, but also opens doors to new creative possibilities. With this knowledge you can not only make more authentic music, but also communicate better with other musicians within this genre.
Mastering Arabic scales can also help you apply a wider range of techniques and styles in your guitar playing. It enriches your musical vocabulary and makes you a more versatile musician who can adapt to different musical contexts. In the end, this knowledge will not only improve your own playing, but also contribute to a deeper appreciation of the diversity and beauty of world music.
If you are interested in learning Arabic scales on guitar, it can also be useful to improve your fingerstyle guitar skills. This can help the unique sounds and techniques of Arabic music come into their own. A handy resource for this is this step-by-step guide to fingerstyle guitar. This guide offers detailed instructions and exercises that can help you take your guitar playing to the next level.
Frequently asked questions about Arabic scales on guitar
What are Arabic scales?
Arabic scales are musical scales that are widely used in the Arabic music tradition. They often have an exotic and mysterious sound and can differ from the scales used in the Western music tradition.
Which scales are often used in Arabic music?
Some of the most commonly used Arabic scales are Hijaz, Bayati and Rast. Each of these scales has its own specific intervals and characteristic sounds.
How can I learn Arabic scales on guitar?
To learn Arabic scales on guitar, it is important to get familiar with the specific intervals and patterns of the different scales. It also helps to practice playing these scales on the guitar neck and to listen to examples of Arabic music to understand the right sound and atmosphere.
Are there specific techniques I should use when playing Arabic scales on guitar?
Yes, when playing Arabic scales on guitar it can help to use specific techniques such as bending notes, using trills and applying ornaments to approach the typical Arabic sounds.
Are there online resources or learning materials for learning Arabic scales on guitar?
Yes, there are various online resources, video lessons and learning materials available that you can use to learn Arabic scales on guitar. These resources can help you get the specific scales and techniques under your fingers.
Can you play quarter tones on a regular guitar?
Not by just fretting a note, because the frets are a half step apart. You approach a quarter tone by bending the note below it up slightly or by sliding. People who play a lot of Arabic music sometimes choose a fretless guitar or a guitar with extra quarter-tone frets.
Which maqam is best to start with as a guitarist?
Hijaz is a logical starting point: the notes fit right onto the frets and the sound is immediately recognizable. You can also play Kurd and Nahawand without quarter tones. After that, you move on to Rast and Bayati, which require quarter-tone bends.
What is the Arabic scale?
There is no single Arabic scale: Arabic music knows dozens of maqamat. Western guitarists often mean Hijaz (on D: D, Eb, F#, G, A, Bb, C) or the double harmonic scale (on C: C, Db, E, F, G, Ab, B), which is called Hijaz Kar in Arabic music. You can play both without quarter tones on a regular guitar.
Is the Arabic scale the same as harmonic minor?
Not exactly. Nahawand is very similar to harmonic minor, and Hijaz has the same notes as Phrygian dominant, the fifth mode of harmonic minor. Rast and Bayati have quarter tones and therefore fit into no Western scale.








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